2004
Volume 28, Issue 3
  • ISSN: 0779-7397
  • E-ISSN:

Abstract

Abstract

In the year 1900, graphic designer Hugo d’Alesi staged a voyage on a steamship that crossed the Mediterranean Sea, for the diverse crowd of the World’s Fair in Paris. In this essay, designer Sofie Deckers dissects this illusionary voyage by both recapturing the voyage as a passenger aboard the and deconstructing this multidisciplinary spectacle in relation to its geopolitical context. This essay aims for a nuanced understanding of the Eurocentric representation of a pleasure trip to the authentic and sensual Orient, the supposed counterpole of the industrialized West.

Loading

Article metrics loading...

/content/journals/10.5117/FORUM2021.3.004.DECK
2021-10-01
2024-11-09
Loading full text...

Full text loading...

/content/journals/10.5117/FORUM2021.3.004.DECK
Loading
This is a required field
Please enter a valid email address
Approval was a Success
Invalid data
An Error Occurred
Approval was partially successful, following selected items could not be processed due to error