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- Volume 30, Issue 3, 2023
FORUM+ - Volume 30, Issue 3, 2023
Volume 30, Issue 3, 2023
Language:
Dutch
- Editoriaal
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- Artistic contribution
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The sympoiesis garden
More LessAbstract This edition of FORUM+ holds a poster between her pages. It is a map of The sympoiesis garden, a project of many, with patches of words along a path for the reader to discover the project. This poster was co-created by Maren Rommerskirchen, Kristina Fekete, Lotte De Voeght and me, Eline De Clercq. The poster captures a moment in the making of this garden by all species involved in the ecosyste Read More
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What’s in a name? Kunstenaarschap en leraarschap: een verleiding tot het midden
By Ann SaelensAbstract Today, art schools also educate our art teachers. Ann Saelens and Tanja Oostvogels, both theatre teachers and actors, are conducting research together at the KASK & Conservatory (HOGENT) on the role of the theatre teacher in helping young adults learn to create their own stage work. They are struck by how the artist/teacher/maker is viewed in the field. Why do artists hesitate to call themselves teach Read More
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Teaching artists professionaliseren via procesdrama. Een experiment aan de hand van een community of practice met alumni van de kunsthogeschool
More LessAbstract In 2023, lifelong learning and professionalization have become an integral part of the vocabulary in higher education. But what form can they take for art school alumni? Bob Selderslaghs researches communities of practice for teaching artists. He uses process drama, a method of teaching and learning drama that is relatively unknown in the Low Countries.
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The academic career of the caterpillar track. Means of progression – Meaning of progress
By Bert WillemsAbstract Discussing the forms of research that are relevant in higher art education, we can metaphorically use various means of progression. In that respect, the caterpillar track in particular stands out for Bert Willems. How can the caterpillar track provide insights into the way we look at and think about progress? We end up with the suggestion that the art school is a good environment for artistic researchers as happy, cri Read More
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Foraging as an artistic counter strategy
More LessAbstract Frederiek Bennema introduces foraging as a strategy for learning and research within higher art education, and as a practice and an attitude focused on ecological thinking, care and dialogue. This article aims to offer insights into foraging and how it helps students navigate the landscape of art education. It further discusses how foraging relates to artistic research and how it can help position artistic research in Read More
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Als een vis op het droge. Van artistiek extractivisme naar oceanische gronding
More LessAbstract During his research stay in late 2020 on the small Pacific island of Pongso no Tao, Joeri Verbesselt went through an existential crisis about his nascent audiovisual artistry. The crisis confronted him with questions he had not been prepared for during his art education. He also could not have predicted that he would be conducting artistic research so far from home on an island struggling with concrete colonial operations Read More
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C’est aux fruits qu’on connaît l’arbre. Het Belgische muziekonderwijs tijdens het civilising offensive van de belle époque
More LessAbstract At the beginning of the belle époque, Belgian education was fully engaged in the first “Schoolstrijd” (school struggle, historical conflict between public and Catholic schools). Under the influence of the liberal civilizing offensive, Belgium built its artistic education into a successful ecosystem. With a research- and practice-oriented approach and an active low-threshold recruitment policy, the conservatories succee Read More
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The academy as a mythical landscape
More LessAbstract Yorgos Maraziotis’ artistiek onderzoek Mythical Truths komt voort uit zijn noodzaak om het schoolmodel te bekijken als een pedagogisch en cultureel ecosysteem waarbinnen zijn visie op beeldhouwen en archiveren de sociale diversiteit kan versterken.
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FAST45 - Futures arts school trends 2045
More LessAbstract In 2045, the world will look very different. Although we cannot predict this future, we can shape it. The question is how to prepare today for higher arts education in the future. How can we imagine multiple futures and reflect on how higher arts education will deal with complexities and uncertainties? Can we map these [un]known futures? And what knowledge, structures, or policies do we need to create a sustainabl Read More
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