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- Volume 31, Issue 2, 2024
FORUM+ - Volume 31, Issue 2, 2024
Volume 31, Issue 2, 2024
Language:
Dutch
- Editoriaal
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- Artikel
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oa Reflection as interference. Eleven thoughts on artistic research as an interruptive practice
By Paul CraenenAbstract Artistic research in music often relies on a combination of thinking and experimenting in music and reflecting on these experiences outside musical time. However, the way in which out-of-time reflection can build on in-time musical thinking is rarely problematised. In this text, I develop a vision that relates critical and reflective ability in musical artistic research to the ability of the researcher to chang Read More
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oa Ruimte voor transdisciplinariteit. Een plek voor niet-artistieke onderzoekers binnen het ecosysteem van een kunsthogeschool
More LessAbstract When different disciplines coexist within the same work or operation, we speak of a “multidisciplinary” practice. In addition, there are also artistic practices that develop a coherent artistic vision across the boundaries of disciplines. In such cases, various disciplines are so closely intertwined that distinguishing between them is actually irrelevant. In that case, one can speak of a “transdisciplinary” practice. This tra Read More
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oa I’m sorry I made you feel that way. Exploring empathy and well-being through virtual bodies and generative AI
Authors: Frederik De Bleser, Martina Menegon & Lieven MenschaertAbstract The interactive installation “I’m sorry I made you feel that way” explores the intimate connection between a virtual body and physical well-being by linking real biometric data to a digital body representation. Developed during Martina Menegon’s research visit using open-source tools, the interactive installation was exhibited in Vienna, London, Lisbon, and Pristina. It highlights generative AI’s potential to create empathi Read More
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oa Pad – portal – plaats. Over het virtuele model als performatieve ruimte
More LessAbstract In the Spatial Narratives design studio at HKU, spatial designers and game developers jointly explore the workings of the immersive virtual model in spatial design. This virtual model is a performative space in the way it can be occupied and activated from within by the visitor-designer, but it is also performative in the way the simulation of space comes into being. What can this model do in the pract Read More
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oa Situeren, sensitiveren, speculeren. Artistieke strategieën in de transdisciplinaire context van ON the LINE
More LessAbstract Society is facing significant societal challenges that require a transdisciplinary approach. The arts are increasingly recognised as essential in addressing these complex issues. But what exactly can they contribute? In this article, Veerle Spronck explores the project ON the LINE: The Art of Digital Citizenship as a case study. She unravels the various artistic strategies that were employed in this transdisciplinary project, in w Read More
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oa How to approach and engage with underwhelming landscapes. Methods developed in the artistic research project Land-shapes, Sooth-scapes
By Linde ExAbstract Through artistic explorations of salt marshes in Scotland, England and the Netherlands, Linde Ex developed the concepts “Land-shapes” and “Sooth-scapes” as ways of observing and approaching these often considered underwhelming landscapes. “Land-shapes” and “Sooth-scapes” informed a series of artistic methods that engage with the challenges of these important but undervalued landscap Read More
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oa Acta est fabula, plaudite! Acting silly as a way of doing research – Being silly as a way of life
By Bert WillemsAbstract In this essay, some thoughts are collected regarding the role of performance as a way of getting in touch with reality. Even as fictions, these performative actions exist in reality, and rather peculiar formats ‘come into existence’ for demarcating these fictions from reality: applause, whistle blows, frames… What is the role of these demarcations when thinking about the relation between fiction and reality? And what if Read More
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