2004
Volume 56, Issue 2024
  • ISSN: 2589-4617
  • E-ISSN: 2667-2081

Samenvatting

Abstract:

Around 1700, three farces were put on the Dutch stage in which addiction to fashionable consumer products played an important role: Pieter Bernagie’s (1685), by Enoch Krook (1697), and by Enoch Krook and Daniël Kroon (1701). On the one hand, these farces functioned as a form of social criticism, in which addicted characters illustrated how the consumption of tea, tobacco, and romance novels could get out of hand. On the other hand, they seem to explain the very concept of addiction to its respective audiences through a process of . The farces imagine addiction as a social problem, and suggest that the consequences are more serious for the addict’s environment than for the addicted individual themselves. This article closely analyses these three farces in order to gain insight into early modern Dutch conceptions of addiction, morality, fashion, and consumption culture, as well as the correlations that existed between them.

Loading

Article metrics loading...

/content/journals/10.5117/DAE2024.006.HUSS
2024-10-01
2024-11-24
Loading full text...

Full text loading...

References

  1. Altena, Peter, ‘“Ben jy lui Studenten, zo moetje studeeren”. Waarom Izabelle De Franequer Los-Kop niet lezen mocht’, Literatuur8 (1991) 11-18.
    [Google Scholar]
  2. Bernagie, Pieter, De románzieke juffer (Amsterdam1685).
    [Google Scholar]
  3. Blom, Frans R.E., HarmNijboer en Rob van derZalm, ‘De buitenspoorige toebaksnuiver, of Het huwelyk door snuiftoebak. Kluchtspel’, ONSTAGE: Online Datasystem of Theatre in Amsterdam from the Golden Age to the present, https://www.vondel.humanities.uva.nl/onstage/plays/117 (geraadpleegd 4juni2024).
    [Google Scholar]
  4. Blom, Frans R.E., HarmNijboer en Robvan der Zalm, ‘De Romanzieke Juffer’, ONSTAGE: Online Datasystem of Theatre in Amsterdam from the Golden Age to the present, https://www.vondel.humanities.uva.nl/onstage/plays/670 (geraadpleegd 4juni2024).
    [Google Scholar]
  5. Blom, Frans R.E., HarmNijboer en Rob van derZalm, ‘De theezieke juffers, kluchtspel’. ONSTAGE: Online Datasystem of Theatre in Amsterdam from the Golden Age to the present, https://www.vondel.humanities.uva.nl/onstage/plays/116 (geraadpleegd 4juni2024).
    [Google Scholar]
  6. Bontekoe, Cornelis, Gebruik en mis-bruik van de thee, mitsgaders een verhandelinge wegens de deugden en kragten van de tabak (Den Haag1686).
    [Google Scholar]
  7. Dijkstra, Trude, ‘“Goed voor alle gebreecken”. Chinese thee in Nederlands drukwerk (1680-1750)’, Jaarboek De Achttiende Eeuw54 (Amsterdam2022) 130-137.
    [Google Scholar]
  8. Ferket, Johanna, Hekelen met humor. Maatschappijkritiek in het zeventiende-eeuwse komische toneel in de Nederlanden (Hilversum2021).
    [Google Scholar]
  9. Haps, Pieter Willem van, De mansmoêr (Amsterdam1699).
    [Google Scholar]
  10. Kennaway, James, ‘Two Kinds of “Literary Poison”: Diseases of the Learned and Overstimulating Novels in Georgian Britain’, Literature and Medicine34:2 (2016) 252-277.
    [Google Scholar]
  11. Korsten, Frans-Willem et al, ‘Imagineering, or what Images do to People: Violence and the Spectacular in the Seventeenth-Century Dutch Republic’, Cultural History10:1 (2021) 1-30.
    [Google Scholar]
  12. Krook, Enoch, De buitenspoorige toebaksnuiver, of het huwelyk door snuiftoebak (Amsterdam1697).
    [Google Scholar]
  13. Krook, Enoch en DaniëlKroon, De theezieke juffers (Amsterdam1701).
    [Google Scholar]
  14. Lemon, Rebecca, ‘Sacking Falstaff’, in David B.Goldstein en Amy L.Tigner eds., Culinary Shakespeare: Staging Food and Drink in Early Modern England (Pittsburgh2016) 113-131.
    [Google Scholar]
  15. Matheron, Alexandre, ‘Spinoza and Sexuality’, in MoiraGatens eds., Feminist Interpretations of Benedict Spinoza (University Park, 2009) 87-106.
    [Google Scholar]
  16. Oostrum, Pim van, ‘Trammelant rond de theestoof: over de sekse van thee (en koffie)’ in Cisvan Heertum, TonJongenelen en Frankvan Lamoen eds., De andere achttiende eeuw. Opstellen voor André Hanou (Nijmegen2006) 49-70.
    [Google Scholar]
  17. Sangiacomo, Andrea, ‘Spinoza on the Passions and the Self’, in Yitzhak Y.Melamed eds., A Companion to Spinoza (Hoboken-Chichester2021) 328-337.
    [Google Scholar]
  18. Stipriaan, R. van, ‘1615: Bredero laat in zijn komedie Moortje de carnavaleske maskerade herleven. Komisch toneel en vermaakscultuur in de Noordelijke Nederlanden in de zeventiende eeuw’, in R.L.Erenstein eds., Een theatergeschiedenis der Nederlanden (Amsterdam1996) 162-169.
    [Google Scholar]
  19. Stipriaan, R. van, Leugens en vermaak. Bocaccio’s novellen in de kluchtcultuur van de Nederlandse renaissance (Amsterdam1996).
    [Google Scholar]
  20. Vincent, Ysbrand, Pefroen met ’et Schaapshooft (Amsterdam1669).
    [Google Scholar]
  21. Weyerman, Jacob Campo, Den ontleeder der gebreeken (Amsterdam1726).
    [Google Scholar]
  22. Willis, Deborah, ‘Doctor Faustus and the Early Modern Language of Addiction’, in Sara MunsonDeats en Robert A.Logan eds., Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts (Aldershot-Burlington2008) 135-148.
    [Google Scholar]
/content/journals/10.5117/DAE2024.006.HUSS
Loading
/content/journals/10.5117/DAE2024.006.HUSS
Loading

Data & Media loading...

Dit is een verplicht veld
Graag een geldig e-mailadres invoeren
Approval was a Success
Invalid data
An Error Occurred
Approval was partially successful, following selected items could not be processed due to error